URTH |
Date: Tue, 28 May 2002 10:32:38 -0500 From: James JordanSubject: Re: (urth) FLF At 11:07 PM 5/27/2002 -0500, the Borski wrote: >A few random notes from my weekend reread of _Free Live Free_ that may=20 >still be pertinent, the vast majority of what I would have said having= already >been duly noted, primarily by Mssrs. Nutria and Ansley back in V.30. > >First the characters, Nutria casting them thusly: > >"Now, in WWOz the three Oz characters are animal, vegetable, and mineral.= =20 >I don't know how Wolfe might be playing with this. But they are also mind, >emotion, and will. Stubb - very smart; mind (Scarecrow; vegetable?) Candy - >very loving; emotion (Tin Woodman; mineral?) Serpentina - very determined; >will (Lion; animal?) Which leaves Barnes as Dorothy, and Little Ozzie as >Toto. And of course Ben Free as the Wizard. Free is not a humbug, but I >think he is trapped in 'Oz', and only escapes through death. Free does move >upwards (compare the wizard's balloon)." > >I'd like to propose a somewhat different mapping. (My apologies if this has >been suggested before, but I couldn't find it anywhere in the archives.) >Candy Garth is the very obvious Dorothy; she sings like the Dorothy of >cinematic Oz and Garth seems like one of those nested names Wolfe uses so >frequently (GAil, doRoTHy). Osgood Barnes, a.k.a. "Ozzy," is the wizard >manqu=E9, the seller of cheap tricks and novelties. Madam Serpentina is the >witch. (Duh.) And little Stubbs, who's described as jockey size, is a >munchkin. This leaves only Ben Free, the true wizard--and someone whose >"magic" may also include changing water into wine and raising the dead (see >William Ansley's post). This sure looks right, but I'll bet I'm right also. Surely Wolfe=20 has read *Ringworld,* where the Oz characters are switched, so that the=20 lion-like character lacks brains, the grotesque scarecrow puppeteer lacks=20 courage, the Dorothy-girls lacks a heart, etc. Knowing what we do of Wolfe,= =20 and the fact that Christian imagery and also Popeye stuff is laid over the= =20 characters, I would not be surprised if both your and my schemes are= "right." >One, of course, may also impose, as the author himself does, a Popeye >schema. Osgood =3D Popeye; M. Snake =3D Olive; Little Ozzy =3D Sweepea;= Stubbs =3D=20 >Wimpy; and Candy =3D Brutus??? Do you think maybe the Pop-EYE overlay has something to do with=20 the theme of seeing clearly, as you set it out? Or maybe it's just more=20 "America" stuff. >In addition, several of the characters have M's associated with their= names. >Madam Serpentina a.k.a. Marie; Osgood M. Barnes; Catharine M. Garth. But=20 >what does the M stand for? An upside down W? A very oblique tip of the hat= =20 >to L. Frank Baum? (M being the next letter after L and this being Wolfe's >topsy-turvy version of "The Wizard of Oz." Someone, somewhere, does say >something about being in the wrong movie.) Dunno, of course. But I have toyed with Marie as some kind of=20 cypher for the Church/Mary. Ben Free is some kind of "Americanized Christ=20 figure," and the new group he forms is a kind of new Church, and Marie is=20 part of it. >Then there's the "house" of Ben Free--Garth also meaning yard, Stubb (from >the German Stube, as Wolfe tells us) meaning room, and Barnes being where >you put the cows and horses. Sounds right, especially if this "house" of persons "elected" by=20 Ben (Christ) Free is some kind of new "America"-church. >Shared optical difficulties also prevent quite a few of the characters from >seeing properly. Osgood has a glass eye, Madam Serpentina wears contacts, >Stubbs has bottle-bottom glasses, and Free is described as poor sighted but >yet is able to detect someone's irises contracting in basement murk.= Perhaps >the latter plays off the notion as God-as-clear-sighted and the rest of us >as His myopic underlings stumbling around in the dark. I took it as the blindness (imperception) of sin (they all have=20 besetting sins) that some kind of "grace" needs to overcome. Free also has= =20 poor physical eyesight (thus being like those he is saving), but has clear= =20 in-sight, which is what the characters need to arrive at. >Considering that FLF was written by Wolfe while on break from _Urth of the >New Sun_, might we describe the High Country shadow government of Ben Free= =20 >as a bunch of "High-rodules"? Perhaps. But given that it was written then, I think we are=20 entitled to look for some of the same themes, such as obviously travelling= =20 the corridors of time. Nutria --