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From: BraveSaintCroix@aol.com
Subject: (whorl) Re: Digest whorl.v012.n057
Date: Tue, 20 Feb 2001 17:08:28 EST
>Now a series of rhetorical questions: At what point
>does intentional obscurity on the part of an author become a self-indulgent
>pretention that gets in the way of artistic expression? How much do we
>really love Wolfe because he's a great writer and how much because it's fun
>to solve puzzles? Has Wolfe crossed the line from not giving all the answers
>to creating texts that must be pored over by talmudic scholars rather than
>actual readers of novels? Is Wolfe writing for a smaller, and smaller
>audience of expert Wolfe-interpreters? Discuss.
Wait. . . do I answer these rhetorical questions or not? Well, you said
discuss, so here goes:
>How much do we
>really love Wolfe because he's a great writer and how much because it's fun
>to solve puzzles?
This is the only question I really feel qualified to answer, because after
finishing RTTW I've been wondering about it myself. I read Wolfe because I
love to read Wolfe. The Short Sun and Long Sun, in my opinion, are his best
works. As for how obscure these books are, I don't know. Most of the
discussion here goes over my head, but I like to skim it and see what I
missed and what I caught in my own reading of his novels. Why do I like
RTTW? It's writen beautifully. I love Silk. I think he's the coolest
character in any book I've ever read. I love the way Wolfe weaves in his
Christian beliefs (which I share) into his novels. I like Oreb. I love the
Outsider. I like being able to finish his books and sit back and really
think about them, instead of having everything spelled out. I like getting
on this list after I finish and comparing notes.
-Steve
*This is WHORL, for discussion of Gene Wolfe's Book of the Long Sun.
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